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Jean-Baptiste Jouvenet
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| 1644-1717 French Jean Baptiste Jouvenet Galleries He came from an artistic family, one of whom Noel Jouvenet may have taught Nicolas Poussin. He early showed remarkable aptitude for his profession, and, on arriving in Paris, attracted the attention of Le Brun, by whom he was employed at Versailles, and under whose auspices, in 1675, he became a member of the Acad??mie royale, of which he was elected professor in 1681, and one of the four perpetual rectors in 1707. He also worked under Charles de la Fosse in the Invalides and Trianon. The great mass of works that he executed, chiefly in Paris, many of which, including his celebrated Miraculous Draught of Fishes (engraved by Audran; also Landon, Annales, i. 42), are now in the Louvre, show his fertility in invention and execution, and also that he possessed in a high degree that general dignity of arrangement and style which distinguished the school of Le Brun. Jouvenet died on the 5 April 1717, having been forced by paralysis during the last four years of his life to work with his left hand. | ||||
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The Education of the Virgin Jean-Baptiste Jouvenet2.jpg Painting ID:: 2094 |
1700 Galleria degli Uffizi, Florence | ||
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RUBENS, Pieter Pauwel
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| Flemish Baroque Era Painter, 1577-1640 | ||||
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The Education of the Virgin new3/RUBENS, Pieter Pauwel-726682.jpg Painting ID:: 29656 |
1625-26 Oil on canvas, 193 x 140 cm | ||
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unknow artist
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The Education of the virgin new4/unknow artist-967494.jpg Painting ID:: 31768 |
mk76 Painted c.1650 Oil on canvs 33x39 1/2in | ||
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Georges de La Tour
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| 1593-1652 French Georges de La Tour Galleries His early work shows influences from Caravaggio, probably via his Dutch followers, and the genre scenes of cheats??as in The Fortune Teller ??and fighting beggars clearly derive from the Dutch Caravaggisti, and probably also his fellow-Lorrainer, Jacques Bellange. These are believed to date from relatively early in his career. La Tour is best known for the nocturnal light effects which he developed much further than his artistic predecessors had done, and transferred their use in the genre subjects in the paintings of the Dutch Caravaggisti to religious painting in his. Unlike Caravaggio his religious paintings lack dramatic effects. He painted these in a second phase of his style, perhaps beginning in the 1640s, using chiaroscuro, careful geometrical compositions, and very simplified painting of forms. His work moves during his career towards greater simplicity and stillness ?? taking from Caravaggio very different qualities than Jusepe de Ribera and his Tenebrist followers did. He often painted several variations on the same subjects, and his surviving output is relatively small. His son Etienne was his pupil, and distinguishing between their work in versions of La Tour's compositions is difficult. The version of the Education of the Virgin, in the Frick Collection in New York is an example, as the Museum itself admits. Another group of paintings (example left), of great skill but claimed to be different in style to those of de La Tour, have been attributed to an unknown "Hurdy-gurdy Master". All show older male figures (one group in Malibu includes a female), mostly solitary, either beggars or saints. After his death in 1652, La Tour's work was largely forgotten until rediscovered by Hermann Voss, a German scholar, in 1915. In 1935 an exhibition in Paris began the revival in interest among a wider public. In the twentieth century a number of his works were identified once more, and forgers tried to help meet the new demand; many aspects of his œuvre remain controversial among art historians. | ||||
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The Education of the Virgin new11/Georges de La Tour-878292.jpg Painting ID:: 38215 |
mk29 c.1650 Oil on canvas 83.8x100.4cm | ||
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MAULBERTSCH, Franz Anton
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| Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century | ||||
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The Education of the Virgin new22/MAULBERTSCH, Franz Anton-738447.jpg Painting ID:: 64570 |
. 1755 Oil on canvas, 60 x 30 cm Kunsthalle, Karlsruhe Artist:MAULBERTSCH, Franz Anton Title: The Education of the Virgin, 1751-1800, Austrian , painting , religious | ||
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